The C3500 is a largest C-class control Surface for the dLive MixRack. This surface has 12+12 faders over 6 layers, built-in audio I/O, an audio networking port, twin 12″ capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

There is something inherently thrilling about live sound. The immediacy of the direct interaction between the performers and the audience, the potential for anything to happen, the need to get it right first time – this is what makes live mixing so addictive. As the demands for more and more I/O and increasingly complex systems grow, there’s a danger of concentrating on the technology rather than the performance. Our design goal for dLive S Class was to create the ultimate mixing system, with plenty of processing and flexibility to handle the most demanding live scenarios, while at the same time giving the engineer intuitive tools to comfortably keep all that power at their fingertips, freeing them to focus on the live mixing experience.

The ME-1 Personal Mixer puts the musician in control of their own monitor mix. Each performer can be given a tailored setup that works perfectly for them, whether they crave maximum control over the fine details of their mix or just want the minimum of keys to press. Operation is intuitive and elegant, with simple controls, clear visual feedback and custom naming for instant familiarity.

Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-5 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-5 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and access to the acclaimed RackExtra FX library. 12 stereo mixes (configurable as groups or auxes) make SQ the perfect companion for in-ear monitoring setups, whilst Automatic Mic Mixing* takes the strain in multi-mic environments. SQ-5 gives you all the tools to meet any requirement, from AV and corporate events to live productions and houses of worship.

Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-6 is built for professionals in the most demanding live sound applications. Delivering class-leading high resolution audio with an ultra-low <0.7ms latency, the SQ-6 gives you unrivalled power and audio fidelity. The mixer has 16 onboard preamps and 8 stereo FX engines with dedicated return channels and access to the acclaimed RackExtra FX library. 12 stereo mixes (configurable as groups or auxes) make SQ the perfect companion for in-ear monitoring setups, whilst Automatic Mic Mixing* takes the strain in multi-mic environments. SQ-6 gives you all the tools to meet any requirement, from AV and corporate events to live productions and houses of worship.

Now in a feature-packed new Chrome Edition, Qu-16 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance.

With its responsive touchscreen, 25 motor faders and acclaimed AnalogiQ recallable preamps, Qu-24 combines exceptional ease of use with class-leading audio performance. Drawing on the technologies and workflow pioneered on our GLD and iLive touring systems, Qu makes Allen & Heath digital mixing more accessible and more compact than ever.

All your key processing tools are presented in a clean layout on the SuperStrip, with 1 function per physical control. The SuperStrip is complemented by an onscreen Touch Channel for intuitive access to full processing parameters without clutter or complex menu structures. Processing for Mono and Stereo inputs includes trim, polarity, HPF, gate, insert, 4 band PEQ, compressor and delay. The main LR and the Mono mixes have controls for Insert, 1/3 octave GEQ, compressor and delay. The Stereo mixes provide Insert, 4-band PEQ, compressor, delay and balance control.

Whether you’re a podcaster, a streamer, or a musician, ZEDi makes it easy for you to create with the hands-on control of an analogue mixer, paired with the convenience of a USB interface.

ZED Mini mixers are compact, portable mixers that are ideal for small bands and venues.

The GB4-24 is 24-channel, 4-bus mixing console designed and constructed to ensure rugged reliability under stressful tour conditions. All input modules have individual vertically-mounted PCB’s fitted to the steel chassis.

The desks carry the high quality hallmark with which Soundcraft is synonymous, with engineering and design as you'd expect from this high-end manufacturer. Careful attention has been given to the mechanical construction, to ensure reliability under strenuous conditions, with all input modules being constructed with individual vertically-mounted pcb’s, fitted to the steel chassis front panel with individually-nutted potentiometers.

The MFX Series combines all the features of the popular Soundcraft MPM™ mixer with a built-in 24-bit, digital, Lexicon® effects processor, expanding the Soundcraft low-cost, multi-purpose compact range.

AR84 is an 8 XLR input, 4 XLR output AudioRack, compatible Qu, Avantis and SQ mixers, and with AHM audio matrix processors.

AR2412 is a 24 XLR input, 12 XLR output AudioRack.

The CDM48 MixRack is the heart of the dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP.  All dLive MixRacks feature the same mix engine capable of 64 mix outputs and 128 inputs by adding DX Racks or digital input cards.

The MixRack is the heart of any dLive system. It houses the XCVI processing core complete with audio I/O, control and audio networking ports. It is typically connected to a dLive Surface, but can also be controlled at the same time as or even without a Surface using a laptop or iPad, Allen & Heath IP remotes or third party controllers via TCP/IP.

The DX168 is a rugged, 96kHz portable expander for adding remote I/O to a dLive, Avantis or SQ system, or to the AHM-64 audio matrix processor.

ME-U is a touring grade, 10 port PoE hub for use with Allen & Heath ME personal mixers. It provides power and up to 40 channels of audio to multiple ME-1 or ME-500 mixers. ME-U comes with a standard input card to interface with Allen & Heath digital mixers or Aviom® A-Net® sources. This card can be replaced with an option card to interface the ME with third party mixing systems.